Excerpt from Christopher Knight article in LAT -
"Here's one symptom of MoMA's bigger problem: A lovely small drawing by Vija Celmins at one end and a graceful big drawing by Toba Khedoori at the other end are all that you will encounter by Los Angeles artists of the last 30 years. No Chris Burden, no Mike Kelley, no Lari Pittman, no Charles Ray, no _______ (you fill in the blank). Now multiply that glaring gap by a dozen other regions, including entire continents.
New York's legendary provincialism didn't matter much when art was a tiny enterprise engaging a handful of practitioners. Now it's just embarrassing. New York has finally become Paris -- a bountiful place to visit to see what great art used to be. The stunning new MoMA is its magnificent shrine."
Brought to my attention on Modern Art Notes.
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