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Showing posts with label Nicole Klagsbrun. Show all posts
Showing posts with label Nicole Klagsbrun. Show all posts

Sunday, August 15, 2010

Patrick Brennan


Patrick Brennan, in Shape Language, at Nicole Klagsbrun, CLOSED 8/13.

Many interesting artists... Joe Bradley, Wendy White, Blinky Palermo, Amy Sillman, Ned Vena, Zak Prekop.

Tuesday, April 10, 2007

chelsea, april 2007, #4 - some likes


Robert Colescott at G.R. N'Namdi - one of his last paintings (he's still alive, but not able to work anymore), and one of very few abstracts. this was a treat for both those reasons, but also because i just saw what is probably his most famous painting only a few weeks ago.

also liked:

Joe Fyfe at Cynthia Broan - circus-y, they feel happy. i preferred the ones on white grounds.

Michael Rodriguez at Oliver Kamm - these are really cool paintings, with a danger feel. if i had better photos i would post one, but the cellphone camera just can't get the subtle colors and textures. orderly bubble systems on faint pastel grounds, kind of Matta, splattered along the bubble axis and structure with what first looks like paint, then drippy colored sand, then swiped felt... but is actually colored flocking.

Margo Victor at Venetia Kapernekas - went to this one specifically on the advice of brent, because he was so dead-on about wade guyton last year. it's a good show - though i definitely preferred the two videos, especially the short margo victor 2000, with the colored lights and muffled noise, and retro sci-fi tv signifiers.

Mitzi Pederson at Nicole Klagsbrun - nice installation, futura light + material luca buvoli feeling, totally unphotographable with my shity camera.

Per Enoksson at Derek Eller - some interesting works on big sheets of paper, nice mix of line with drawing, wash, and collage. fun. makes you want to break out the ball point pen and get to work. chris domenick in brooklyn had some interesting-ish ballpoint pen drawings also.

Tala Madani at Lombard Fried- saw the one that was on paintersnyc and was surprised at how small it was. this is the same gallery that had the good cao fei show last time.

Yutaka Sone at David Zwirner - i thought the wintery paintings were fun, but the show was hurt by the dead crappy paperweights. zwirner was an unexpected letdown.. wasn't into the other shows at all, not even with free food. rirkrit can be a snooze, sorry.

Friday, July 22, 2005

Chelsea

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Visited Chelsea yesterday. I'll update this post tomorrow or Saturday with more links to the artists and some shows I don't have time to get to now.

Gagosian - Had two Alexander Calder mobiles in a big back room that I liked a lot. I was reminded of the James Hyde lecture and his idea of the mobile as "ruined genre". It would have been nice to see some of Hyde's Fallen Mobiles lying around.

Robert Miller - Leiko Ikemura's hazy oil on jute paintings of Yoshitomo Nara proportioned women. Ikemura and Nara both live somewhere in Germany, maybe they've influenced each other slightly? Something about these soaked in paintings also made me think of Marlene Dumas. The thinness? The moodiness? These seven works and the Stephen Westfall mentioned below were easily my favorite paintings of the day.

Robert Miller also had very good paintings by Alice Neel and Milton Resnick.

Lennon, Weinberg - The Stephen Westfall painting. Dogwood is a large vertical rectangular canvas trisected by two horizontal and two vertical red bands, creating nine white squares. The white squares are each divided further by one horizontal and one vertical black line - like windowpanes. None of these bands or lines are exactly straight or match up. They're all a little off and it hurts your eyes looking at it trying to make this marks line up as they should. I saw this shortly after seeing the Good Vibrations show at McKenzie.

Here's a Jerry Saltz essay on Stephen Westfall.

McKenzie - Good Vibrations - lots of good stuff - I liked Julian Stanczak, Barbara Takenaga, and most especially the two paintings by Laura Watt.

Sonnabend - Four large landscape c-prints by Elger Esser that had an old postcard feel. Turns out that they actually are photographs of old postcards blown up big. My favorite got taken off the wall and wrapped before my eyes!

Barbara Gladstone - The Slater Bradley and Chris Burden videos. I didn't even realize this was an old (1980) Burden video until I looked at the sheet, I thought it was something new going for a trendy look. Big Wrench is an obsessive funny stalkerish video about a truck.

Nicole Klagsbrun - The seven playful Tuttle-esque pieces/interventions by Cordy Ryman. He had pipe pieces, door braces, a pink corner "ladder", and some wall painting-sculptures (Spider Star was my favorite of those).

Feigen - I liked Craig Love's small pieces best. At first I thought the Judith Linhares painting was a Dana Schutz (and here is a discussion on Edward Winkleman's comments about Schutz which mentions Linhares).

D'Amelio Terras - My favorites here were the two collages by Corin Hewitt. Really weird.

CRG - I liked Zak Prekop's small green painting best.

Monya Rowe - I was most interested in Angela Dufresne's three paintings here. She also had some bigger paintings at Lehmann Maupin but I didn't like them as much.

303 - The Shannon Oksanen portraits were too much the same but worse of the better portraits of that same gallery's Maureen Gallace.

Margaret Thatcher - friendly staff

Marianne Boesky - closed for installation but friendly staff-person who tried to get me a cup of water.

I've had enough of doodles, doodling, and doodlers and saw way way more merchandise than art. I wish I had had time to see the Helion show and Cezanne and Pisarro at MoMA.